论《临川四梦》中的三边关系  

On the Trilateral Narration in the Four Dreams of Linchuan

作　　者：陆敏 LU Min(College of Liberal Arts,Hunan Normal University,Changsha Hunan 410006,China)

机构地区：[1]湖南师范大学文学院,湖南长沙410006

出　　处：《顺德职业技术学院学报》2021年第1期81-86,共6页Journal of Shunde Polytechnic

摘　　要：丽莎·詹辛将“三边关系”这一偏向于心理学层面术语用作文学作品的解读,意在从不同人物的心理层次上剖析文本的空白之处。中古戏曲文本“临川四梦”中的三边关系颇为精彩:从三边叙事关系角度来讲,包括次要人物对主要人物的解读、不在场人物对交谈双方的潜在影响,以及叙述者与受众以全知全能的视角观察着戏曲人物的命运。从三边心理结构模式来看,“临川四梦”沿用了“第三方探索恋人心理感受”的传统结构,造成了一种信息层面的张力。从三边关系中的扁平人物话语来看,扁平人物话语不仅凸显出了圆形人物的不同性格侧面与丰富的心理层次,也促使着圆形人物进行反复思考,构成了一种深层的读心活动。Lisa Zhan Xin uses"trilateral relationship",a psychological term,to interpret literary works,aiming to analyze the blank of the text from the psychological level of different characters.The trilateral relationship in the Four Dreams of Linchuan is quite splendid.From the perspective of trilateral narrative relationship,it includes the interpretation of the main characters by the secondary characters,the potential influence of the absent characters on both sides of the conversation,and the narrator and audience observing the fate of the drama characters from the perspective of omniscient and omnipotent.From the perspective of trilateral psychological structure model,Linchuan Four Dreams follows the traditional structure of"the third party explores lovers'psychological feelings",resulting in a kind of information tension.From the perspective of flat characters'discourse in trilateral relations,flat characters'discourse not only highlights different personalities and rich psychological levels of round characters,but also urges round characters to think over and over again,which constitutes a deep mind-reading activity.

关 键 词：三边关系 读心活动 《临川四梦》 

分 类 号：I207.3[文学—中国文学]