从造字到造形:汉字形体结构与书法艺术  

From Character Creation to Modeling:Chinese-Characters Form Structure and Calligraphy Art

作　　者：吴慧[1] WU Hui(College of Literature,Jiangxi Normal University,Nanchang Jiangxi 330022,China)

机构地区：[1]江西师范大学文学院,江西南昌330022

出　　处：《盐城工学院学报（社会科学版）》2020年第4期66-70,共5页Journal of Yancheng Institute of Technology（Social Science Edition）

基　　金：教育部人文社会科学研究规划基金项目(18 YJA740054);2020年度江西省高校人文社科项目(YY20106)。

摘　　要：汉字作为一种书写形体,笔画组合的丰富多样和间架结构的灵活多变,而使其“字形”成为复杂的美学构成,“书写”成为“书法”,并完成从造字到造形的转变。书法是汉字书写艺术,书法艺术深藏于汉字独特的形体结构之中。三位一体的整体架构、二维方块结体、平衡对称等汉字在形体构造上的诗性特征,既是人们对文字形体的一种审美预期,也是书法学家在书法创作时努力追求的美感。As a writing form,Chinese characters is rich and varied in stroke combination and flexible in shelf structure,which makes their"shape"become a complex aesthetic composition,"writing"become to"calligraphy",and complete the transformation from word-making to shape-making.Calligraphy is the art of Chinese characters’writing,which is deeply embedded in the unique physical structure of Chinese characters.The poetic features of Chinese characters in physical structure,such as the trinity overall structure,two-dimensional square knot,balance symmetry,are not only an aesthetic expectation of people's characters,but also the aesthetic feeling that calligraphers strive to pursue in calligraphy creation.

关 键 词：形体结构 二维方块 诗性结构 意象 

分 类 号：H123[语言文字—汉语]