“十七年”古装历史题材电影的美学建构  

The Aesthetic Construction of“Seventeen Years”of Costume Historical Films

作　　者：杜忠锋[1] 王文武 Du Zhongfeng;Wang Wenwu(the School of Media of Yunnan Normal University,Kunming,Yunnan,650500)

机构地区：[1]云南师范大学传媒学院,云南昆明650500

出　　处：《民族艺术研究》2020年第6期69-74,共6页Ethnic Art Studies

摘　　要：“十七年”电影是中华人民共和国成立后至“文化大革命”前,十七年间创作的各类题材影片的总称。在当时的特殊时代语境下,我国“十七年”古装历史题材电影继承“左翼电影”的创作特点,并吸收和借鉴外国电影的创作经验,在政治规约下进行其主流意识形态的建构,展开多元化的美学叙事,进行民族文化的活态承传,初步形成了本民族的电影美学形态,这为后来的电影创作者提供了理论研究样本和创作实践蓝本,开辟出了一条崭新的中国历史题材电影的美学建构之路。“Seventeen Years”is the general name of all kinds of films created during the 17 years from the founding of the People's Republic of China to the“Cultural Revolution”.At that time,under the special context of the times,the“Seventeen Y ears”costume historical films inherited the creative characteristics of the“left-wing films”,and absorbed the creative experience of foreign films.Under the political regula-tions,it constructed its mainstream ideology,unfolded diversified aesthetic narration,and inherited living national cultures,thus initially formed the aesthetic form of national film.These endeavors provided theoreti-cal research samples and creative practice blueprint for later film-makers,opening up a brand-new aes-thetic construction road of Chinese historical films.

关 键 词：“十七年” 古装电影 历史题材 美学建构 

分 类 号：J901[艺术—电影电视艺术]