涪陵龚氏家族道场施食科仪音乐民族志研究  

A Research on Music Ethnography in Alms-giving Ritual of Gong Family in Fuling Area

作　　者：胡晓东 韦仁忠 HU Xiaodong;WEI Renzhong(Conservatory of music,Jiangxi Normal University,Nanchang,Jiangxi 330022;School of music,Southwest University,Chongqing 400715)

机构地区：[1]江西师范大学音乐学院,江西南昌330022 [2]西南大学音乐学院,重庆400715

出　　处：《贵州大学学报（艺术版）》2020年第6期96-105,共10页Journal of Guizhou University Art Edition

基　　金：国家社科基金项目“西南民族地区佛教音乐与基层社会治理研究”(项目编号:16BM2069)。

摘　　要：施食科仪是涪陵民间龚氏家族法事道场科仪程序,运用音乐民族志实录法、音乐形态学理论和民族音乐学音声分析等方法,对科仪内容、仪式符号和执仪者“法师”与“艺人”的双重身份支配下产生的各类仪式音声给予分析与解读,揭示出仪式唱腔形态和调式收腔特点,以及仪式“器声”中独特的锣鼓记谱符号和演奏方式与文化主体思维观念、文化心理认同之间的内在关系,力图为读者呈现出仪式场域内丰富多彩的音声景观和极具区域特色与文化内涵的视听盛宴。Alms-giving ritual is a folk ceremony procedure of Gong family in Fuling area.This essay adopts the recording methods of music ethnography,the theory of music morphology and sound analysis of ethnomusicology.With the above methods,it analyzes and interprets the contents,symbols and various ritual sounds produced under the dual identities of“mage”and“artist”.It therefore reveals the features of singing form and mode at the ceremony,the unique notations of gong and drum in the ritual“instrumental sound”.It reflects the internal relationship between the way of performance and the culture subject’s thinking concept and cultural identity to present a rich and colorful sound landscape and audio-visual feast with regional features and cultural connotations to the audience.

关 键 词：龚氏家族法事道场 施食科仪 音乐民族志调查 音声分析 文化阐释 

分 类 号：J649[艺术—音乐]