苏东坡、辛稼轩《醉翁操》词作比较初探  

A Comparative Analysis of the Poetry of Zui Weng Cao Created Separately by Su Dongpo and Xin Jiaxuan

作　　者：赵国杰[1] 王浩卜 ZHAO Guojie;WANG Haobu(Faculty of Management and Economics,Tianjin University,Tianjin 300072,China;College of Communication Science and Art,Chengdu University of Technology,Chengdu 610059,China)

机构地区：[1]天津大学管理与经济学部,天津300072 [2]成都理工大学传播科学与艺术学院,四川成都610059

出　　处：《河南工学院学报》2020年第6期62-65,共4页Journal of Henan Institute of Technology

摘　　要：中国旧体诗词之创作、传承、传播颇难,乃时代变迁之巨而“字有变革,音有转移,亦势所必至”矣。基于苏东坡首创《醉翁操》词与龙榆生定格此词,分析宋词史上苏东坡创作《醉翁操》之“易”而他人传承再创作“难至几近绝响”的史实,剖析不同鉴赏者的差异,判定辛词《醉翁操》出格。引入琴曲《醉翁吟》深入研究,给出《醉翁操》新版本设想,并创作两首《醉翁操》。The creation,inheritation,and dissemination of traditional literature are difficult,mainly due to the great change in characters and pronunciations,this paper investigates Su Dongpo’s first version of Zui Weng Cao,which is endorsed by Long Yusheng,we analyze why it is said that Su’s creation was relatively straight forward and the late comers encountered great difficulty.We also compare var ious reviews and conclude that Xin’s version of Zui Weng Cao did not follow the format rigorously,we then combined the materials with the piece of ancient music Zui Weng Yin,and provide a draft of a new version of Zui Weng Cao,we provide two examples of Zui Weng Cao.

关 键 词：《醉翁操》 创作与传承 鉴赏与传播 

分 类 号：I207.21[文学—中国文学]