“反游记传统”叙事——《茫茫黑夜漫游》中的“流浪”“幻游”与“追寻”  

The Subversion of Traditional Travelogue Narrative:“Wandering”,“Imaginary Voyage”and“Pursuit”in Voyage au bout de la nuit

作　　者：段慧敏[1] DUAN Huimin

机构地区：[1]苏州大学外国语学院

出　　处：《西北工业大学学报（社会科学版）》2020年第4期82-89,共8页Journal of Northwestern Polytechnical University(Social Sciences)

基　　金：江苏省社会科学基金后期资助项目“塞利纳互文诗学研究”(18HQ039)。

摘　　要：游记是世界文学史上重要的文学类别之一,对人类精神领域的发展与人类历史的构建起到了重要作用。法国作家路易-费尔迪南·塞利纳以"颠覆性"著称。其处女作《茫茫黑夜漫游》以一个底层社会小人物的"漫游"经历为主线,以讽刺、降格、戏拟等方式,对传统的"流浪汉小说""幻游记"与"追寻主题"等进行"反向重写",形成了一种革新的叙事力量,深刻地揭示了20世纪初叶法国社会的各种问题,为后人留下了这一时期宝贵的历史见证。Travelogue is one of the important literary categories in the world literature history,which plays an important role in human spiritual development and the construction of human history.French writer Louis-Ferdinand Céline was famous for his"subversiveness".In his maiden work voyage au bout de la nuit,he took the"roaming"experience of a nobody from the lower social class as the main line.By adopting such techniques as irony,degradation,parody,etc.,the author"reversely rewrote"the traditional"picaresque novels","imaginary travelogues"and"pursuit theme",and formed an innovative narrative power,which profoundly revealed various social problems in France in the early 20th century,and left for future generations valuable historical proof of this period.

关 键 词：《茫茫黑夜漫游》 流浪汉小说 幻游记 追寻 

分 类 号：I106.4[文学—世界文学]