从音组节奏理论到音顿节奏理论  

From the Sound-group Rhythm Theory to the Syllable-pause Rhythm Theory

作　　者：许霆 XU Ting(Changshu Institute of Technology,Changshu 215500,China)

机构地区：[1]常熟理工学院,江苏常熟215500

出　　处：《常熟理工学院学报》2021年第1期17-25,103,共10页Journal of Changshu Institute of Technology

基　　金：国家社科基金后期资助项目“中国诗歌韵律节奏论”(13FZW074)。

摘　　要：世界各种语言本身的“素质”不同,形成诗节奏的方法也不相同,但其共通之处是:节奏是由同一类基本单位的不断重复、反复回旋形成的,这一基本单位即诗的基本节奏单元。汉语诗的节奏是顿歇节奏而非音步节奏,其基本节奏单元是音顿。由不同音顿向外发展构成音顿节奏体系、意顿节奏体系和行顿节奏体系。汉诗音顿节奏的特征是:其节奏点是音组间的顿歇,顿歇具有形式的多样性和音义双重性,顿歇显示了汉语语音的优越性。汉诗音顿节奏植基于汉语语音特征,确立汉诗是音顿节奏的观念,就能揭示古今汉诗音律的本质特征,新诗诸多复杂的音律问题也就迎刃而解了。Different languages in the world have different“qualities”and different ways to form poetic rhythm,but they have one thing in common:rhythm is formed by the repetition and repeated circulation of the same basic unit,which is the basic rhythmic unit of poetry.The rhythm of Chinese poetry is the syllable-pause rhythm rather than the sound foot rhythm,and its basic rhythmic unit is syllable pause.The outward development of different syllable pauses comprises the syllable-pause rhythm system,semantic-pause rhythm system and line-pause rhythm system.The characteristics of the Chinese poetic syllable-pause rhythm are as follows:its rhythm point is the pause between sound groups,the pause has a variety of forms,and the pause has the duality of sound and meaning,and the pause shows the superiority of Chinese pronunciation.The syllable-pause rhythm of Chinese poetry is based on the characteristics of Chinese phonetics,and by establishing the concept that Chinese poetry bears the syllablepause rhythm,we can reveal the essential features of the rhythm of ancient and modern Chinese poetry,and the many complex rhythmic problems of new poetry will be solved with consummate ease.

关 键 词：汉诗 音律 音顿节奏 

分 类 号：I207.2[文学—中国文学]