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作 者:孙学堂[1] SUN Xue-tang(School of Literature,Shandong University,Jinan 250100,China)
机构地区:[1]山东大学文学院,济南250100
出 处:《哈尔滨工业大学学报(社会科学版)》2021年第1期73-82,共10页Journal of Harbin Institute of Technology(Social Sciences Edition)
摘 要:“英雄词”是一个有歧义的概念,一是指风格豪放的词,二是指英雄所写的词,三是指表现英雄气概和战斗精神的词。循名责实,最后一种理解较为合理。翻检辛弃疾的全部词作,符合这一特点的不过三十首左右,不宜夸大其数量及所占比例。辛词中有些作品虽然也洋溢着爱国的情思,但要么基调低沉,战斗精神已近消解,要么风格豪放而近于率性自适,都不再是英雄气概的抒写,不宜视为“英雄词”。要正确衡估辛弃疾的“英雄词”。以同样的标准翻检两宋词,辛弃疾的“英雄词”数量还是最多的。在两宋(尤其是南宋)“英雄词”的发展史上,辛弃疾无疑是最高的山峰。As a concept, "Hero Ci" is ambiguous. Some people use it to refer to bold style. Some people refer to lyrics written by heroes. Others refer to Ci which shows heroism and fighting spirit. We hold that the lastunderstanding is more reasonable. Studyingthe whole works of Xin Qi-ji’s, we can see that there are only about thirty Cifit forthis description. We should not exaggerate its number and proportion. Some of Xin Qi-ji’sCiare also filled with patriotic sentiments, but the tone is low, and the fighting spirit almost entirely disappears. Some of them have bold style(Haofang Ci) but lean towards comfortable style. Those should not be called "Hero Ci". According to the same standard to evaluate Ci in the two Song Dynasties, Xin Qi-ji has the largest number of "Hero Ci". He is undoubtedly the most important figure in the history of "Hero Ci" in the two Song Dynasties(especially in the Southern Song Dynasty).
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