民俗视域下的地方戏传承简论  

On the Inheritance of Local Operas from the Perspective of Folk Custom

作　　者：邵敏 SHAO Min(Huangmei Opera Art Development Research Center,Anqing Normal University,Anqing,Anhui 246011)

机构地区：[1]安庆师范大学黄梅戏艺术发展研究中心,安徽安庆246011

出　　处：《艺术百家》2020年第5期104-108,121,共6页Hundred Schools In Arts

基　　金：安徽省属公办普通本科高校领军骨干人才项目“新媒体戏曲传播研究”(项目编号:皖教秘人〔2019〕16号)阶段性成果之一。

摘　　要：地方戏总体上的不景气,与相关戏曲民俗的衰微紧密相关。由于种种原因,地方戏传统行业风俗规范功能濒于解体,观演双方对表演程式的接受度、喜爱度都在弱化,演出与民众实际生活的距离越来越远。地方戏民俗传承的窘境,主要是经济社会变迁的后果,也有戏曲行业本身的问题。地方戏如果长期缺乏特定民俗生态的支持,其活态传承将更加难以为继。要想实现地方戏回归民俗,形成良好地方戏民俗传承生态,必须确立观众观念,恢复戏曲良俗,适当调整戏曲工作的思路和重点,形成培育合力。The general depression of local operas is closely related to the decline of related opera folk customs.Due to various reasons,the traditional industry customs and norms function of local opera is on the verge of disintegration.The acceptance and affection of both sides of the performance are weakening,and the distance between the performance and the actual life of the public is getting farther and farther.The dilemma of local opera folk heritage is mainly the result of economic and social changes,but also the opera industry itself.If the local opera lacks the support of specific folk ecology for a long time,its living state inheritance will be more difficult to sustain.To realize the return of local opera to folk custom and form a good inheritance ecology of local opera folk custom,it is necessary to establish the concept of the audience,restore the good customs of local opera,adjust the thinking and focus of opera work appropriately,and form a joint force of cultivation.

关 键 词：地方戏 地方戏民俗 民俗生态 活态传承 

分 类 号：J80[艺术—戏剧戏曲]