毁誉之间:论陈文述的清诗史定位  

Between praise and criticism:research on the position of Chen Wenshu in the history of Qing poetry

作　　者：李晨[1] LI Chen(Literature department of Soochow University,Suzhou 215123,China)

机构地区：[1]苏州大学文学院,江苏苏州215123

出　　处：《浙江师范大学学报（社会科学版）》2021年第1期29-37,共9页Journal of Zhejiang Normal University(Social Sciences)

基　　金：中国博士后科学基金第64批面上资助“近代两浙诗歌发展流变研究”(2018M642302);江苏省社会科学基金重大项目“江苏古代藏书与刻书文献整理与研究”(18ZD012);江苏省社会科学基金青年项目“近代江苏诗歌发展流变研究”(19ZWC006)。

摘　　要：陈文述是清代中后期一位颇具争议的诗人,争议之处主要在于对其诗品与人品的评价。历来研究聚焦于陈文述对女性文学发展的推动,但是关于其本人在清诗史中如何定位却缺乏集中研讨。实则陈文述充分具备衔接“乾嘉”与“道咸”两个时代的过渡与转型特质,在清诗史书写中理当具有关键和醒目的位置。这不妨从三方面理解:首先,陈文述的诗歌交游及相关活动,如参与编定《乾嘉诗坛点将录》,对整个乾嘉诗坛具有总结和收官意义;其次,陈文述在出版《颐道堂诗选》的过程中,游离于“格调”与“性灵”之间,反映了“后乾嘉”时期的诗学转型;最后,陈文述的诗歌包含一定数量的社会写实之作,其内容与道光国事及士习转移相关,因应了“近代”来临之前的时局新变。Chen Wenshu was a highly controversial poet in the middle and late Qing Dynasty.The disputes mainly lie in the valuation of his poetic style and personality.Previous research focused on his promotion to the development of feminist literature,however,little research has been undertaken on his position in the poetic history of the Qing Dynasty.In fact,Chen Wenshu fully possessed the characteristics of transmission and transformation which connected the two eras,“Qianjia”(when two emperors Qianlong and Jiaqing were in power)and“Daoxian”(when two emperors Daoguang and Xianfeng were in power),deserving a key and prominent position in the history of Qing poetry.This could be understood from three aspects:Firstly,Chen Wenshu’s social contact by poems and relevant activities,including participation in compiling and proofreading The Record of Qianjia Poetry,had conclusive and summary influence on the entire Qianjia poetry field.In addition,during the process of publishing Selected Poems of Yidaotang,he hung around between style(gediao)and spirit(xingling)of poems,which reflected the poetry transformation in the late Qianjia era.Furthermore,the poetry of Chen Wenshu contained a certain number of works reflecting social reality,and their contents were related to state affairs of Daoguang period as well as the change of scholarship,hence it echoed the new change of political situation before the advent of modern era.

关 键 词：陈文述 女性文学 《乾嘉诗坛点将录》 性灵说 道光中衰 

分 类 号：I207.22[文学—中国文学]