积用成体:欧阳予倩对现代戏剧本质的诠释探赜  

Essence Accumulated by Functions:Ouyang Yuqian’s Interpretation of the Essence of Modern Drama

作　　者：唐振 TANG Zhen(School of Liberal Arts,Anhui Normal University,Wuhu Anhui 241000,China)

机构地区：[1]安徽师范大学文学院,安徽芜湖241000

出　　处：《成都理工大学学报（社会科学版）》2020年第6期86-91,共6页Journal of Chengdu University of Technology:Social Sciences

摘　　要：欧阳予倩的戏剧理论发生,经历了写社会人生之真、求现实与浪漫双美之合和援西体以合中用的过程化进路。他对戏剧本质的理解也在此进路中不断丰富:戏剧主题内容的现实性作为戏剧的主导性质,推动着创作手段的多元化和审美追求的多样性。同时,事实与价值视域下对艺术与思想关系的探微,亦能重新审视欧阳氏戏剧理论中唯美与写实、艺术与政治之关系。Ouyang Yuqian’s dramatic theory,has went through the process of writing the truth of society,the combination of reality and romance,and the quote of the western structure for the purpose of integration.His understanding of the nature of drama is also enriched along this process:the reality of the theme of drama as the leading nature of drama promotes the diversity of creative means and the diversity of aesthetic pursuits.At the same time,the exploration of the relationship between art and thought from the perspective of facts and values can also reexamine the relationship between aesthetics and realism,art and politics in Ouyang’s drama theory.

关 键 词：欧阳予倩 戏剧理论 戏剧本质 理解 诠释 

分 类 号：J80[艺术—戏剧戏曲]