如何叙述20世纪中国新诗之路  

On Hundred-Year Chinese New Poetry in the Past 20th Century

作　　者：张器友[1] ZHANG Qi-you(College of Liberal Arts, Anhui University, Hefei 230039, China)

机构地区：[1]安徽大学文学院,合肥230039

出　　处：《唐都学刊》2021年第1期48-55,共8页Tangdu Journal

摘　　要：一百多年来的中国新诗是以左翼诗歌为主导、为主流的多种思潮、多种流派交相激荡的多声部合唱。20世纪中国新诗的叙述,不能采取西方中心主义的泛现代性“叙述模式”,不能片面抬举个性主义写作和现代主义—后现代主义诗潮,更不能打压主流诗歌及其代表人物的成就,应该走中国新诗发展的正确道路。20世纪中国新诗之路叙述必须秉持历史唯物主义原则,“把历史的内容还给历史”,重铸百年新诗的“中国表达”。Chinese new poetry in the past 20 th century has been dominated by the left-wing poetry,various trends of thoughts and schools have formed a multi-voice symphony.The narrative patterns of the west-centric pan-modernity of the“de-revolutionization”and“desinicization”shouldn’t have been adopted,the poetic trends of individualistic writing,modernism and post-modernism shouldn’t be exaggerated one-sidedly,the mainstream poetry and their representative achievements shouldn’t be suppressed or denied,and the right path for the development of Chinese new poetry shouldn’t be distorted.The principle of historical materialism should be adhered to,history should be returned to history,and the Chinese expressions of hundred-year Chinese new poetry should be reconstructed.

关 键 词：20世纪 中国百年新诗 一个主流 三座高峰 多声部交响 

分 类 号：I207.209[文学—中国文学]