明清小说欲望书写的社会表征及其审美演进  

The Social Representation and Aesthetic Evolution of Desire Writing in Novels of Ming and Qing Dynasties

作　　者：康建强 景根喜 KANG Jianqiang;JING Genxi(Baicheng Normal University,Baicheng 137000,China)

机构地区：[1]白城师范学院文学院,吉林白城137000

出　　处：《天中学刊》2020年第6期109-117,共9页Journal of Tianzhong

基　　金：吉林省哲学社会科学规划基金(2019B152)。

摘　　要：明清时期,小说的文体概念与范畴边界虽仍未在意识领域明晰,但文本创作的实际表现业已具备鲜明完备的文体特征。作家的创作欲望强化,已普遍具有以小说书写对世界人生认知的鲜明意识。时代与社会生活的发展变化,使得明清小说欲望书写的内容不断拓展并因此表现出显明的阶段性演变特征;作家源于因缘际遇而致的心灵撞击,则是小说欲望书写意涵持续深化的内在因素。这一动态发展的演进历程,充分表明小说业已承担起对世界人生图景进行审美表现的文体使命。In the Ming and Qing Dynasties,although the stylistic concept and the category boundary of novels were not clear in the realm of consciousness,the actual expression of the text creation already had the distinct and complete stylistic features.The writers'creating desire has been strengthened and they had the distinct consciousness of the cognition of the world life.The development and changes of the times and social life made the content of desire writing in novels of the Ming and Qing dynasties continuously expanded and thus displayed obvious characteristics of stage evolution.It is the intrinsic factor that the desire writing connotation of the novel deepens continuously.The evolving process of this dynamic development fully shows that novel has taken the mission of aesthetic expression of the outlook on life.

关 键 词：明清小说 欲望书写 社会表征 审美演进 

分 类 号：I207.4[文学—中国文学]