包容·内倾·自省——论徐则臣小说《耶路撒冷》之江南文化三性  

Inclusiveness,Introversion,Introspection——On the Three Characteristics of Jiangnan Culture in Xu Zechen s Novel Jerusalem

作　　者：熊玫 XIONG Mei(School of Chinese Language and Literature,Nanchang Normal University,Nanchang 330032,China)

机构地区：[1]南昌师范学院文学院,江西南昌330032

出　　处：《南昌师范学院学报》2020年第6期117-121,135,共6页Journal of Nanchang Normal University

基　　金：江西省高校人文社科项目“70后作家成长主题小说研究”,编号:ZGW17206。

摘　　要：长篇小说《耶路撒冷》讲述了江南文化影响下的“花街”三代人的聚合离变的故事。小说以秦淮河边花街作为地域形态的叙述主轴,又以整个中国社会在现代化历史情境中的变动为因辐射到更具有参照意义的远方世界,其广阔的时空把握能力显示了70后作家对于中国文化形态之江南文化的眷恋和思考。就小说的故事本身而言,江南文化三性突出地表现为:江南文化之包容性、江南文化之内倾性及江南文化之自省性。The novel Jerusalem by the post-70s writer Xu Zechen is a representative work of his growth narrative.The work tells the vicissitudes of the three generations in Flower Street under the influence of Jiangnan culture.The novel uses the Flower Street along the Qinhuai River as the main narrative geographical axis,and radiates to the distant world with more referential significance due to the changes of the whole Chinese society in the historical context of modernization.His ability to grasp time and space in a broad perspective displays the post-70s writers attachment to and deep reflection about Jiangnan culture.As far as the story itself is concerned,the three characteristics of Jiangnan culture are prominently manifested as the inclusiveness,introversion and introspection of Jiangnan culture.

关 键 词：《耶路撒冷》 江南文化 包容性 内倾性 自省性 

分 类 号：I207.425[文学—中国文学]