无锡惠山泥人童子形象艺术特色探析  

Analysis of the Artistic Characteristics of the Clay Figurine Children’s Figure in Wuxi Huishan

作　　者：吴柯颖 

机构地区：[1]不详

出　　处：《上海工艺美术》2020年第4期100-103,共4页Shanghai Arts & Crafts

摘　　要：一、无锡惠山泥人童子形象基本概念—源远流长惟妙惟肖(一)历史渊源江南地域民间泥塑历史久远,据考古资料显示,无锡惠山泥人的历史可追溯到原始社会的新石器时代,出土的器物中有许多动物形象的陶偶、泥偶。到了唐宋至隋唐时期,在宗教信仰的氛围影响下,彩塑泥人得到了空前的发展,出现了一批用模具印胚予之彩绘的泥人,"粗货"诞生了。明清时期,无锡惠山已成为浏览胜地。现如今,惠山泥人的工艺手段日趋成熟、达于完美,取材亦宽广通泛。Huishan clay figurine in Wuxi has a long history,which means auspicious and represents the cultural characteristics of the South of the Yangtze River.In the long history of Thousands of years in China,the image of child is one of the popular traditional images,and is an art permeated in life.In this paper,the basic concept,composition features,modeling features and color features of the clay boy image in Wuxi are summarized to explore and analyze its artistic value.

关 键 词：新石器时代 惠山泥人 动物形象 工艺手段 江南地域 宗教信仰 隋唐时期 无锡惠山 

分 类 号：J314.7[艺术—美术]