冲突与义演:1947年《假凤虚凰》慈善义演活动探析  

Conflict and Charity Performance:An Analysis of the Charity Charity Performance of The Story of the Barber Finding his Wife in 1947

作　　者：韩星耀 HAN Xing-yao(College of History and Culture, Henan University, Kaifeng 475001, China)

机构地区：[1]河南大学历史文化学院,河南开封475001

出　　处：《河南科技大学学报（社会科学版）》2021年第1期85-91,共7页Journal of Henan University of Science & Technology(Social science)

基　　金：国家社科基金重大项目(17ZDA203);河南省高校人文社会科学研究一般项目(2021-ZZJH-049)。

摘　　要：1945年抗日战争胜利以后,上海的电影事业也随之开始恢复。1947年文华影片公司出品的一部名为《假凤虚凰》的喜剧电影,却先后引发了各地理发业公会的抗议风波。为了解决双方冲突,各地政府先后参与了这一事件的调解工作,最终借助让此片义演的方式将这一危机化解,实现了各方的共赢。这一事件反映出民国社会后期慈善义演逐渐成为各方资源整合的平台和缓解社会矛盾的润滑剂,在政府对社会事务参与度日益增多的趋势下,义演的政治性色彩开始加强。After the victory of the Anti-Japanese War in 1945,Shanghai’s film business also began to resume.In 1947,Wenhua Film Company produced a comedy film called The Story of the Barber Finding his Wife,but the film has triggered the hairdressing industry in various places.Guild protests.In order to resolve the conflict between the two sides,the governments of various regions have successively participated in the mediation work of this incident,and finally resolved the crisis with the help of this film,and achieved a win-win situation for all parties.Through this event,it was reflected that the charity show in the late period of the Republic of China gradually became a platform for the integration of all parties’resources and a lubricant to alleviate social contradictions.With the increasing participation of the government in social affairs,the political influence of the charity show began to strengthen.

关 键 词：《假凤虚凰》 慈善义演 理发业公会 文华影片公司 

分 类 号：K266.9[历史地理—中国史]