浙苏地区民间歌唱中的角调式  

Jiaodiao Tune Mode in Folk Singing in Zhejiang and Jiangsu Area

作　　者：施王伟 SHI Wangwei

机构地区：[1]浙江艺术职业学院 [2]浙江省文化和旅游厅非物质文化遗产保护专家委员会

出　　处：《浙江艺术职业学院学报》2020年第3期7-14,20,共9页Journal of Zhejiang Vocational Academy of Art

摘　　要：通过分析宁波“马灯调”“杭剧”“高淳阳腔目连戏”“昆剧”等浙苏地区民间歌唱中较有特色的角调式,可以看出:一是角调式在浙苏地区民间歌唱中较多见,可能与吴语方言有一定的联系;二是原生的角调式较少,受其他影响再融合发展的角调式较多;三是音乐中的模进亦是角调式形成的重要因素;四是角调式与宫、商、徵、羽调式一样,有其特殊的韵味和别致的风格。学界应对浙苏地区民间歌唱中的角调式作进一步研究。Through the analysis of the more distinctive Jiaodiao tune modes in folk singing in Zhejiang and Jiangsu,such as Ningbo“Madeng tune”,“Hangzhou opera”,“Gaochun Yangqiang Mulian opera”,and“Kunqu opera”,it can be seen several characteristics.Firstly,it is more common in folk singing in Zhejiang and Jiangsu area,which may be related to the Wu dialect.Secondly,there are fewer original Jiaodiao tune modes,and more Jiaodiao tune modes are re⁃integrated and developed under other influences.Thirdly,the improvement in music is also an important factor of the formation of Jiaodiao tune modes.Fourthly,the Jiaodiao tune mode has its special charm and unique style,just the same as Gong,Shang,Zhi and Yu modes.The academic circles should do further research on the Jiaodiao tune mode in folk singing in Zhejiang and Jiangsu.

关 键 词：浙苏地区 民间歌唱 角调式 马灯调 杭剧 

分 类 号：J607[艺术—音乐]