浙江筝派演奏技法解析与运用——以何占豪筝乐作品为例  

Analysis and Application of Playing Techniques of Zhejiang Zheng School—Taking He Zhanhao’s Works as an Example

作　　者：尉愉沁 WEI Yuqin

机构地区：[1]浙江音乐学院国乐系,杭州310024

出　　处：《浙江艺术职业学院学报》2020年第3期85-92,共8页Journal of Zhejiang Vocational Academy of Art

摘　　要：根植于越地文化的浙江筝乐,以其飘逸雅致的灵气与独特的地域风韵著称。音乐整体呈现出柔、细、雅的特质,对浙派筝艺的演绎风格与演奏技法的发展意义深远。就审美解读与立美方式的视角,探讨如何恰当地运用浙江筝派演奏技法诠释越地音乐的风格和神韵,对深入探讨越地音乐与浙派筝艺具有较好的学理价值。Zhejiang Zheng music,which is rooted in Yue culture,is famous for its elegant aura and unique regional charm.The music as a whole shows the characteristics of softness,fineness and elegance,which is of far-reaching significance to the development of the deductive style and performance techniques of Zhejiang Zheng art.From the perspective of aesthetic interpretation and beauty,this paper discusses how to properly use the playing techniques of Zhejiang Zheng School to interpret the style and charm of Yue music.It has a good theoretical value for the in-depth study of Yue music and Zhejiang Zheng art.

关 键 词：古筝 浙派筝艺技法 越韵 

分 类 号：J632􀆰[艺术—音乐]