《文心雕龙·辨骚》篇奇正观探析  

An Analysis of theQizheng View of “Wen Xin Diao Long·Bian Sao”

作　　者：柴立楠 赵继红[1] Chai Li-nan(School of literature,Shanxi Normal University,Linfen 041000,China)

机构地区：[1]山西师范大学文学院,山西临汾041000

出　　处：《黑河学刊》2021年第1期31-33,共3页Heihe Journal

摘　　要：奇正观作为重要的文学观念贯穿于《文心雕龙·辨骚》全篇。在以“正”为主“奇”为辅的观念指导下,刘勰阐述了《辨骚》篇与宗经的关系,并且指出了屈骚的“惊才绝艳,难与并能”正是宗经酌奇的结果。针对汉赋作家片面学骚的弊端,刘勰还提出倚《雅》《颂》,驭楚篇的创作观来纠正赋作的浮靡文风。屈骚在继承传统的基础上又取得了新的成就,是文学创作“通变”的典范。楚辞奇正华实的兴变理想也为后世文学的健康发展指明了方向。As an important literary concept,Qizheng View runs through the whole chapter of“Wen Xin Diao Long·Bian Sao”.Under the guidance of the notion that“zheng”is the main and“odd”is the supplement,Liu Xie elaborated on the relationship between“Bian Sao”and Zong Jing,and pointed out that Qu Sao's extremely brilliant,difficult and capable Zong Jing Zhuoqi results.Aiming at the shortcomings of Han Fu writers one-sided learning Sao,Liu Xie also proposed to rely on“Ya”and“Ode”to control the creation concept of Chu Pian to correct the superficial style of Fu.Qu Sao has made new achievements on the basis of inheriting the tradition,and is a model of changing in literary creation.Chuci Qizhenghuashi's ideal of prosperity and change also pointed out the direction for the healthy development of later literature.

关 键 词：文心雕龙 辨骚 奇正 

分 类 号：I206.2[文学—中国文学]