宋代潮州笔架山窑莲花炉的艺术特征  

The Artistic Features of Lianhua Furnace in Bijia Hill Kiln of Chaozhou in Bijia Kiln in Song Dynasty

作　　者：余莉[1] YU Li(Hanshan Normal University Department of Fine Arts,Chaozhou 521041)

机构地区：[1]韩山师范学院美术学院,潮州521041

出　　处：《佛山陶瓷》2021年第1期46-49,共4页Foshan Ceramics

基　　金：2017年广东省教育厅创新强校青年创新人才类项目(人文社科)课题《潮州笔架山窑与我国陶瓷艺术海外传播研究》阶段性成果之一。

摘　　要：宋代,我国陶瓷产业达到了空前繁荣的阶段。这一时期,分布在全国各地的窑场烧制了许多陶瓷精品,宋代湖田窑的青白瓷烧制成功后、这种青玉般的瓷质效果受到当时人们的青睐,一时间,青白瓷成了陶瓷界的“爆款”,这种烧制技术传到其他产瓷区后也落地生根,成功烧制了具有地域特征的青白瓷。潮州笔架山窑烧制的青白瓷就是这一时期的“同款网红”。本文以潮州笔架山窑代表性器型莲花炉为例,分析潮州笔架山窑莲花炉的艺术特征,从中管窥笔架山窑的历史风貌。In the Song Dynasty,China's ceramic industry reached an unprecedented stage of prosperity.During this period,across the country kiln firing a lot of ceramic products,after the success of the bluish white porcelain of song dynasty left kiln fire,the sapphire porcelain effect is favored by people at that time,and at that time,green white porcelain became the"explosion"of the ceramic industry,after the firing technology spread to other porcelain producing areas also fall to the ground to take root,successfully fired the bluish white porcelain with the regional characteristics.The green white porcelain produced by the Bijia Hill kiln in Chaozhou is the"Bursting"in this period.This paper,taking the representative lotus flower furnace of the Bijia kiln in Chaozhou as an example,analyzes the artistic features of the Lianhua furnace in Chaozhou Bijia Hill kiln,and the historical features of Bijia Hill kiln.

关 键 词：潮州 笔架山窑 莲花炉 艺术特征 

分 类 号：J527[艺术—艺术设计] K244[历史地理—历史学]