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作 者:唐旭 TANG Xu(不详)
出 处:《淮北职业技术学院学报》2021年第1期97-100,共4页Journal of Huaibei Vocational and Technical College
摘 要:王独清与艾青都曾在诗歌中描绘过罗马这一异域形象。前者一方面以罗马形象作为民族镜像,力求借此使中华文明取得西方价值评价体系的认同,从而加强民族的自我认同,并为中华民族的复兴寻求合法性;另一方面又以其作为自我镜像,折射出诗人作为没落贵族子弟的内在心理。后者以本民族当下时期的精神动力为衡量标准来对作为复杂的他者形象的罗马进行阐释,以此强化民族的自我认同,并增强中华民族建设社会主义现代化国家的信心。Both Wang Duqing and Ai Qing have described the image of Rome in their poems.The former,on one hand,takes the image of Rome as the national mirror image,striving to make the Chinese civilization obtain the identity in the Western value evaluation system,so as to strengthen the national self-identity,and to seek legitimacy for the rejuvenation of the Chinese nation;on the other hand,as a self-mirror image,it reflects the poet's inner psychology as a declining aristocratic son.The latter takes the spiritual power of the current period of the nation as the standard to interpret Rome as a complex image of the other,so as to strengthen the self-identity of the nation and enhance the confidence of the Chinese nation in building a socialist modern country.
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