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作 者:王钢[1] WANG Gang(Yangtze Normal University,Chongqing 408100,China)
机构地区:[1]长江师范学院,重庆408100
出 处:《包装工程》2021年第2期286-290,共5页Packaging Engineering
基 金:重庆市社科规划项目(2020YBYS196);重庆市教育委员会人会社会科学研究项目(20SKGH226)。
摘 要:目的传统竹制家具是川渝人日常必需品,其在现代室内设计中实现了由物质功能向精神诉求的审美转换。方法以传统竹制家具的体量、造型、色彩、结构和形式等为依据,深入分析竹制家具在现代室内设计中的创新原则、设计方法和精神诉求。结论竹制家具自身材质的可塑性、兼容性和可转换性,足以彰显其材质美感、文化内涵、地域归属、生态环保等物质功能和精神诉求。因此,无论在创新理念上还是在设计方法上,竹制家具都可以将一定的地域文化特色、人性化设计需求以及现代多元化审美文化融入新产品的研发,在日新月异的家具市场中表现出鲜明的时代性和前瞻性。Traditional bamboo furniture is a daily necessity in Sichuan and Chongqing and has realized the aesthetic transformation from material function to spiritual appeal in modern interior design.Based on the volume,shapes,colors,structure and forms of traditional bamboo furniture,the innovation principle,design methods and spiritual appeal of bamboo furniture in the field of modern interior design were deeply analyzed.The reproduction,compatibility and changeability of bamboo furniture are enough to express its aesthetic feeling,cultural connotation,regional ownership,ecological environment protection,etc.Therefore,bamboo furniture can integrate certain regional cultural characteristics,humanized design needs and modern diversified aesthetic culture into the research and development of new products in the concept of innovation or in the design method,thus expressing the characteristics of the times and foresight in the ever-changing furniture market.
分 类 号:TB472[一般工业技术—工业设计]
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