绿笛悠扬——凃克和他的油画风景画  

Singing with Nature:On Tu Ke and his Oil Painting of Landscape

作　　者：苏阿嫦[1] SU A-chang(School of fine arts,Guangxi Arts University,Guangxi Nanning 530007)

机构地区：[1]广西艺术学院美术学院,广西南宁530007

出　　处：《贺州学院学报》2020年第4期35-38,共4页Journal of Hezhou University

摘　　要：自现代以来,油画风景画素来就是艺术家们透过自己的眼观照、联接世界的重要方式。20世纪的中国,在历经了文艺低潮、回暖和自由创作时期的艺术家凃克则用他独特的方式诠释和演绎了传统与现代的完美结合。中西方文化的不同、艺术创作手法的差异,并没有影响这位广西籍的艺术家用其温厚而高雅的色调、笔飞墨舞的水墨意境与绚丽多姿的色彩再现那一片片壮丽的亚热带红土地的热诚。文章从凃克早期的多题材与多媒介绘画入手,一步步梳理艺术家是如何通过地域文化和美学,展现出一片个人风采和地域风格兼顾的艺术世界的。Since modern times,oil painting of landscape has been an important way for artists to observe and connect the outside world.Having experienced the period of literary ebb,recovery and free creation,Tu Ke demonstrated and interpreted the perfect combination of tradition and modernity in his unique way in his artworks.The cultural differences between Chinese and Western,the different artistic creative methods between Chinese and Western,did not affect the enthusiasm of the Guangxi native artist to portrayed the magnificent subtropical red land with his warm and refresh colors,elegant Chinese ink and wash atmosphere.This article starts with the Tu Ke’s multi-media painting in the early years,and tries to sort out how an artistic world with strong personal and regional style was shaped by the local culture and aesthetics.

关 键 词：油画风景画 色彩 地域美术 亚热带画派 

分 类 号：J212[艺术—美术]