论端木蕻良小说《新都花絮》的空间形式  

On the Spatial Form of Duanmu Hongliang’s Novel The New Capital Gags

作　　者：刘显沁 LIU Xian-qin(Institute for Advanced Studies in Humanities and Social Sciences,Chongqing University,Chongqing 400000)

机构地区：[1]重庆大学人文社会科学高等研究院,重庆400000

出　　处：《贺州学院学报》2020年第4期100-105,共6页Journal of Hezhou University

摘　　要：完成于1940年的小说《新都花絮》,是端木蕻良一部呈现抗战后方"时代掠影"文学作品。这部小说虽然在总体上是按照传统小说线性顺序来展开叙述的,但也明显具有了一些空间形式作品的特征。借助约瑟夫·弗兰克的空间形式理论,可以从时间空间化、空间并置和反应参照三个方面来对小说《新都花絮》进行分析探讨。在此基础上,《新都花絮》可以从新的角度被重新发现和开掘。而由此延展的是,在抗战语境下,空间形式的叙事手法可以赋予小说一种时间空间化的效果,既丰富了抗战小说的艺术形式,又能在抗战文学时代内涵的抒发上生发出更多的可能性。Duanmu Hongliang’s novel New capital gags,which was completed in 1940,is a literary work showing the"glimpse of the times"in the rear area of the Anti-Japanese War.Although the narration of this novel is in accordance with the linear order of traditional novels,it also has the characteristics of some spatial forms.With the help of Joseph Frank’s space form theory,we can analyze and discuss the novel from three aspects:spatialization of time,space juxtaposition and reaction reference.On this basis,the novel can be rediscovered and excavated from a new perspective.In the context of the Anti-Japanese War,the narrative technique of spatial form can endow the novel with a time space effect,which not only enriches the art form of the AntiJapanese war novel,but also makes more possibilities for the expression of the connotation of the Anti-Japanese War Literature Era.

关 键 词：空间形式 时间空间化 空间并置 反应参照 《新都花絮》 

分 类 号：I207.42[文学—中国文学]