“上官体”诗歌之生成与流变探微  

Formation and Evolution of“Shangguan Style”Poetry

作　　者：杨丽花 YANG Li-hua(Lanzhou University,Lanzhou 730000,China)

机构地区：[1]兰州大学文学院,甘肃兰州730000

出　　处：《哈尔滨学院学报》2021年第1期91-95,共5页Journal of Harbin University

摘　　要：以“绮错婉媚”为特征的“上官体”是初唐宫廷诗坛一种重要的文学现象,其生成与流行并非某种单一力量促成。要全面考察“上官体”形成的深层动因,必须结合唐代初期政治文化思潮嬗变及文士群体崛起等广阔的社会历史背景;同时不能忽视诗歌发展的内在规律,从上官仪对传统宫廷诗歌创作的突破和超越以及自身诗学理论的建构等方面,做深入细致的考察。“Shangguan style”,characterized by“beauty and melancholy”,is an important literary phenomenon in the court poetry in the early Tang Dynasty.Its formation and popularity were not caused by a single force.In order to comprehensively investigate the deep motivation of the formation of“Shangguan style”,we must combine with the broad social and historical background of the evolution of political and cultural thoughts and the rise of literati groups in the early Tang Dynasty;at the same time,we should not ignore the inherent law of poetry development,and make a thorough and detailed investigation from the breakthrough and transcendence of Shangguan Yi’s traditional palace poetry creation and the construction of its own poetics theory.

关 键 词：上官体 文化思潮 宫廷诗艺 诗学理论 

分 类 号：I207.22[文学—中国文学]