White,everything white?Josef Frank’s Villa Beer(1930)in Vienna,and its materiality in the context of the discourse on‘white cubes’  

作　　者：Ivo B.Hammer 

机构地区：[1]HAWK University of Applied Sciences and Art,Hildesheim,Germany

出　　处：《Built Heritage》2020年第2期40-55,共16页建成遗产（英文）

基　　金：The MAK(Museum of Applied Arts),Vienna and the Austrian Federal Heritage Authority funded the conservation-science study of the Villa Beer,Vienna/Austria.

摘　　要：In 2017 a group of conservators-restorers conducted a conservation-science study of the materials used in the construction of Josef Frank’s main work,the Villa Beer(1930)in Vienna-Hietzing,and of the building’s surfaces.The study was an opportunity to find evidence indicating whether the contemporary description of the wall colour as a non-colour white corresponded to physical reality.The notion‘Weiss,alles Weiss’(‘white,everything white’),celebrated as‘an expression of values and of the times’(Hammann,1930),will be identified as a cultural construct that stands in contradiction to the actual materiality of the buildings of the period.We must rewrite the colour history of Modern Movement architecture.The‘White Cubes’were never white.

关 键 词：Modern movement architecture Josef Frank Villa Beer MATERIALITY WHITE Conservation-restoration Conservation-science study White cubes Le Corbusier 

分 类 号：TU-09[建筑科学—建筑理论] TU-87[艺术—艺术设计]