虚实交织的“另类聊斋”--莫言小说《怀抱鲜花的女人》的象征性  

The Alternative of Strange Stories From A Chinese Studio where Virtual and Reality——Interpretation of Symbolism of Mo Yan’s The Woman Holding Flowers

作　　者：张猛 ZHANG Meng(Liaocheng University,Liaocheng 252000,China)

机构地区：[1]聊城大学,山东聊城252000

出　　处：《金华职业技术学院学报》2021年第1期61-66,共6页Journal of Jinhua Polytechnic

摘　　要：《怀抱鲜花的女人》是莫言锐意进取的创新之作。他不愿拘泥于传统的套路,剑走偏锋,在浪漫的爱情中加入如蛆附骨的鬼气,以阴森湿冷来解构唯美浪漫,赋予小说象征意义。他吸收借鉴聊斋传说,解构书生狐女的爱情故事,辅之以西方文学中的浪漫因素,将古今中外的多重浪漫因素进行融合,重新书写了现代版的另类聊斋。莫言在萦绕不散的鬼气之上将现实和虚幻相交织,展现欲望与理性的博弈,以此来探讨人格深处“本我”和“超我”的冲突。The Woman Holding Flowers is an innovation that Mo Yan is determined to forge ahead.He does not want to stick to the traditional routine.In the romantic love,he adds the mystic of atmosphere and deconstructs the beautiful romance with the sinister and cold.So,he giving the novel symbolic meaning.He absorbed the legend of Strange Stories From A Chinese Studioand deconstructed the love story of the scholar and the fox girl,supplemented by the romantic factors in Western literature.He have the fusion of the multiple romantic factors of the ancient and foreign,in order to re-written the modern version of the alternative Stories from a Chinese Studio.Mo Yan interweaves reality and illusion on the mystic of atmosphere,revealing the game of desire and reason,in order to explore the conflict between“I”and“Superman”in the depth of personality.

关 键 词：虚实交织 人格冲突 

分 类 号：I207.42[文学—中国文学]