越文化视域下的诗歌新变与中国文学现代转型  

New Changes of Poetry and Modern Transformation of Chinese Literature from the Perspective of Yue Culture

作　　者：鲁雪莉[1] 王嘉良[2] Lu Xueli;Wang Jialiang(School of Humanities,Shaoxing University,Shaoxing 312000;School of Humanities,Zhejiang Normal University,Jinhua 321004)

机构地区：[1]绍兴文理学院人文学院,绍兴312000 [2]浙江师范大学人文学院,金华321004

出　　处：《浙江社会科学》2021年第2期125-132,159,共9页Zhejiang Social Sciences

基　　金：2017年国家社会科学基金重点项目“越文化与中国文学的现代转型”(17AZW019);2019年浙江省哲学社会科学重点研究基地课题“越地乡土叙事的现代传统与新世纪创作转型研究”(2019YWHJD08);2020年浙江省哲学社会科学重点研究基地重点课题“新世纪小说越地乡土叙事转型研究”(20JDZD048)的阶段性成果。

摘　　要：中国文学的现代转型,以诗歌领域的变革最具典型性。越文化的深厚积淀,曾崛起由鲁迅领衔的新文学作家群,又涌现徐志摩、艾青、戴望舒等一大批引领中国新诗潮的著名诗人,他们发起对旧诗的全面冲击,为诗歌新变促成文学转型提供了范例。越地新诗取得了不同凡响的成就:通过对世界文学新潮的吸纳,实现了新诗学理论的建构;灌注清新的时代性色调,体现了审美现代性崛起;在传统与现代、中西艺术融合中,拓展了新诗创作深化路径;在多维诗美形态探索中,开启了新诗体式完善的多种途径。从越文化视角透视诗歌新变,当能从一个侧面阐释中国文学现代转型的必然性、可能性及有效路径。The modern transformation of Chinese literature is most typical in the field of poetry.With the profound accumulation of Yue culture,once a group of new literature writers led by Lu Xun emerged,and a large number of famous poets emerged,such as Xu Zhimo,Ai Qing,Dai Wangshu,who led the trend of Chinese New Poetry.They launched a comprehensive impact on the old poetry and provided an example for the new changes of poetry and the literary transformation.Yue region’s new poetry has made remarkable achievements:it has achieved the construction of new poetics theory through the absorption of the new trend of world literature;it has infused fresh colors of the times,reflecting the rise of aesthetic modernity;in the integration of“tradition and Modernity”and“Chinese and Western art”,it has expanded the deepening path of new poetry creation;in the exploration of multi-dimensional poetic beauty,it has opened a variety of ways to improve the style of new poetry.From the perspective of Yue culture,we can interpret the inevitability,possibility and effective path of modern transformation of Chinese literature.

关 键 词：诗歌新变 越文化 文学转型 

分 类 号：I207.2[文学—中国文学]