民族男高音歌唱艺术的审美认同与技术训练方法探究  

Aesthetic Identity and Skill Training Methods of Singing Arts of National Tenors

作　　者：吴宇峰 王思力 WU Yu-feng;WANG Si-li(Department of Music Education,Zhejiang Conservatory of Music,Hangzhou 310024,China)

机构地区：[1]江音乐学院音乐教育系声乐教研室,浙江杭州310024 [2]浙江音乐学院音乐教育系,浙江杭州310024

出　　处：《美育学刊》2021年第1期59-63,共5页Journal of Aesthetic Education

摘　　要：民族男高音是中国民族声乐界极具吸引力的声部之一,但优秀且唱歌技巧比较完美的男高音比较少,声乐教学过程中男高音的歌唱技术的掌握比较难以掌握。近些年,民族唱法男高音歌唱技术训练和作品风格把握有了较多的探索,值得总结并进一步深入探讨。The national tenor is one of the pretty attractive vocal parts in the Chinese national vocal music circle.However,there are few excellent tenors who have a good mastery of singing skills.In the process of teaching singing skills,it is hard for national tenors to acquire these techniques.In recent years,explorations have been made in the training of tenor singing techniques and the mastery of the style of works,which is worth being summarized and further discussed.

关 键 词：声乐演唱 民族唱法 男高音 穿透力 “花儿” 真假声 

分 类 号：J616[艺术—音乐]