十字街头的蹀躞与坚守--论朱雯早期的文学观及创作  

Wandering and Standing on Crossroad--Discussing the Early Literary Theory and Literature Creation of Zhu Wen

作　　者：吕洁宇[1] LüJieyu

机构地区：[1]曲靖师范学院人文学院

出　　处：《励耘学刊》2020年第2期226-239,M0014,共15页

基　　金：云南省哲学社会科学规划项目“抗战时期云南翻译文学史料整理与研究”,项目编号:QN2018036。

摘　　要：1928年至1930年是朱雯文学观形成的重要时期,朱雯在文学道路的十字路口经历了较为痛苦的纠结。在不断对抗旧的“无聊”和寻找新的“无聊”的过程中,他从乡土文学的启蒙姿态转向对民族主义文艺的推崇,然而在创作中,他一直坚持对时代精神的积极追求和对社会现实的如实描摹,其作品也更多地展现了超越民族主义文艺的内容,这种文学口号和文学创作的错位构成了朱雯创作的独特性,也在一定程度上表露了民族主义文艺的局限性。From 1928 to 1930,an important period for Zhu Wen,in which he formed his own literary theories.Meantime,Zhu Wen came to a crossroads and experienced painful struggle—confronting old“boredom”and searching for new“boredom”.During the process of confrontation and discovery,Zhu Wen turned from the enlightenment local literature to respect nationalist literature and art.However,he persisted in the pursuit of Zeitgeist and true description of social reality.His works,as well,showed the content beyond nationalist literature and art.The paradox between literary slogan and literary creation not only showed the uniqueness of Zhu Wen's creation,but also revealed the limitation of nationalist literature and art.

关 键 词：朱雯 现代作家 现实主义 民族主义文学 

分 类 号：I206.6[文学—中国文学]