中国当代文学自我意识的伦理嬗变  

Ethical Transmutation of Self-consciousness in Contemporary Chinese Literature

作　　者：路文彬[1] Lu Wenbin(College of Humanities,Beijing Language and Culture University,Beijing 100032,China)

机构地区：[1]北京语言大学人文学院,北京100032

出　　处：《东方论坛（青岛大学学报）》2021年第1期48-57,共10页Eastern Forum（JOURNAL OF QINGDAO UNIVERSITY）

基　　金：国家社会科学基金项目"‘十七年'中国乡村文学社会学研究"(14BZW144)的阶段性成果。

摘　　要：中国当代文学以现实主义写作开始,尤其强调了现实的阶级性,作家的自我意识体现在伦理上即是以斗争为动力学的憎恨和决裂形式。直到新时期文学开始,这种形式方才试图朝着关爱与和谐的方向转变,逐渐疏离了阶级斗争的模式。但由于对自我、关爱、道德等伦理实质的理解不足,中国当代文学显现出的自我意识在其历史进程中一直处于反复的状态,表现出任性和犹疑的情绪化色彩,致使其在对待现实的认知上,始终难以真正突破既往的局限,进而达至一个崭新的历史高度。Contemporary Chinese literature starts from realistic writing,and especially emphasizes the class nature of reality.With struggle as the dynamics in ethics,the writer's self-consciousness is embodied in the form of hatred and rupture.It was not until the beginning of the literature of the new era that this form attempted to shift to the theme of love and harmony,gradually alienating itself from the class struggle model.But as the ethical essence of self care and morality is insufficiently understood,contemporary Chinese literature shows a self-consciousness which constantly repeats itself in the development of its history,showing such moody colors as willfulness and hesitation so that in the cognition of reality,it can never break through the past limitations and rise to a new historical height.

关 键 词：中国当代文学 自我意识 情绪化 伦理观 嬗变 

分 类 号：I206.7[文学—中国文学]