“将真实深深地藏在心的创伤中”--鲁迅《伤逝》的创作心理  

"To Hide the Truth Deeply in the Trauma of the Heart":a Psychological Exploration of Lu Xun's Regret for the Past

作　　者：张龙福 Zhang Longfu(School of Liberal Arts,Qingdao University,Qingdao 266071,China)

机构地区：[1]青岛大学文学院,山东青岛266071

出　　处：《东方论坛（青岛大学学报）》2021年第1期82-89,共8页Eastern Forum（JOURNAL OF QINGDAO UNIVERSITY）

基　　金：国家社会科学基金项目“中国意识的重建--鲁迅与近代个体的‘产生’”(15BZW131)的阶段性成果。

摘　　要：《伤逝》的情感表现极为浓烈深切,不仅在鲁迅小说中显得颇为奇异,即便在中国现代小说史中也因而显得有些“另类”而十分引人注目。造成《伤逝》这一特殊风貌的内在原因应归结到鲁迅深微复杂的创作心理。《伤逝》在很大程度上是鲁迅面向自我的创作,是鲁迅不惮于以最坏的结局来推测自己的人生并给以艺术化的具体展示,是他迈向新的生活必不可少的精神仪式。Regret for the Past is endowed with strong and deep emotional expression,which seemsnot only quite strange among all of Lu Xun’s fictional writings,but also a little "alternative" and very eye-catching in the history of modern Chinese fiction.The intrinsic reason for the special style of Regret for the Past should be attributed to Lu’s deep and slightly complicated creative psychology.To a large extent,Regret for the Past is a self-oriented creation.It is a concrete demonstration of the author’s courage to speculate his life with the worst ending and gives it an artistic expression.It is an essential spiritual ceremony for him to step into a new life.

关 键 词：鲁迅 《伤逝》 创作心理 自我 艺术化 精神仪式 

分 类 号：I210.6[文学—中国文学]