论汉代小说的娱乐功能和审美功能  

On the Entertainment and Aesthetic Function of the Novels in the Han Dynasty

作　　者：樊庆彦[1] FAN Qingyan(School of Literature,Shandong University,Jinan,Shandong,250100,China)

机构地区：[1]山东大学文学院,山东济南250100

出　　处：《江苏第二师范学院学报》2020年第6期1-7,I0002,共8页Journal of Jiangsu Second Normal University

基　　金：教育部哲学社会科学研究后期资助项目“古代小说与娱乐文化”(项目编号:17JHQ048)。

摘　　要：汉代小说多属于"史部",作者的创作目的是为了记述史实而并非出于娱乐,限制了作品的美学意味。但是人们对于鬼神的信仰,作者为易于人们接受所进行的想象加工,创作中受到民间故事的影响等因素,而构成了作品内容的荒幻怪诞的特点,却符合人们的好奇心理,客观上造成了作品愉悦大众的社会功能。而且,汉代时儒家思想已经占据了重要位置,道教的兴起,神仙方术的盛行,也影响着文学作品的价值走向,使得小说的功能也逐渐由单一而趋向于多元化。Most of the novels in the Han Dynasty belong to"historical works". The authors’ writing purpose is to record historical facts,not for entertainment,which limits the aesthetic meaning of the work. However,people’s belief in ghosts and gods,the author’s imaginative processing for the acceptance of people and the influence of folk stories in the writing contribute to the grotesque characteristics of the work,which are in line with people’s curiosity and objectively make the work achieve the social function-pleasingthe public. Moreover,in the Han Dynasty Confucianism occupying an important position,the rise of Taoism and the prevalence of magic also influenced the value orientation of literary works,making the novel realize the diverse functions from the single one.

关 键 词：汉代小说 娱乐功能 审美功能 价值取向 

分 类 号：I207.41[文学—中国文学]