从敦煌壁画谈中国传统服装五色说在唐朝的发展嬗变  

On the Evolution of the Theory of Five Colors of Traditional Chinese Clothing in the Tang Dynasty from the Dunhuang Frescoes

作　　者：刘柯彤 Liu Ketong(不详)

机构地区：[1]不详

出　　处：《服装设计师》2021年第2期127-134,共8页Fashion China

摘　　要：本文立足中国传统服装五色说渊源和发展,结合敦煌壁画图像资料,重点探讨了五色说在唐朝的发展嬗变,阐释了唐人特有的色彩审美观念,以期对把握五色演变脉络有所补益。Based on the origin and development of the theory of five colors of traditional Chinese clothing,combined with the image data of Dunhuang fresco,this paper mainly discusses the development and evolution of the theory of five colors in the Tang Dynasty,and explains the unique color aesthetic concept of the Tang people,so as to make some contribution to the understanding of the evolution of five colors.

关 键 词：五色 敦煌壁画 传统服装 唐朝 

分 类 号：K87[历史地理—考古学及博物馆学]