见证·聚焦·引领:《美术》杂志与“长安画派”的历史钩沉  

Witness,Focus,and Lead:Connection in History between Art Magazine and "Chang’an Painting School"

作　　者：刘艳卿[1] 屈健[1] Liu Yanqing;Qu Jian

机构地区：[1]西北大学艺术学院

出　　处：《美术》2021年第1期96-100,共5页Art Magazine

基　　金：陕西省社科基金项目“运用‘长安画派’口述史讲述陕西故事的策略研究”(立项号:2018K12);文化名家暨“四个一批”人才自主选题资助项目的研究成果;陕西省教育厅专项科研计划项目“口述‘长安画派’及其文化价值研究”(项目编号:17JK0740)的研究成果。

摘　　要：20世纪五六十年代,《美术》杂志对"长安画派"长达6年的持续关注和推介讨论,不仅见证了一个发端于西北地区、极具时代特色的新画派的成长历程,而且触发了理论界对中国画如何继承传统、如何创新发展、如何确立符合新中国文艺要求的艺术评论标准等重要问题的讨论。以"长安画派"为代表性案例,《美术》杂志从思想的高度引领美术创作和艺术评论的方向,试图在中国画改造运动中建构新的话语体系和图像范式,从而探寻满足人民审美需求,反映崭新社会面貌,彰显时代精神内涵的中国画革新之路。In the 1950 s and 1960 s,there was a 6-year-long discussion of the"Chang’an Painting School"on Art magazine.The discussion witnessed the growth of a new painting school originated from Northwest China as well as started the debate over vital issues including how Chinese painting inherits the tradition,how innovation could be achieved,how a standard that meets the literature and art requirements of New China should look like,etc.Taking Chang’an Painting School as an example,the Art magazine ideologically guides art creation and review for the purpose of establishing a brand new discourse system and image paradigm in Chinese painting transformation.It aims to find the answer to Chinese painting innovation which is featured by satisfying people’s needs of aesthetics and displaying the society’s new look as well as the spirit of the times.

关 键 词：《美术》杂志 长安画派 推陈出新 评论标准 

分 类 号：J209[艺术—美术]