米兰·昆德拉《慢》中的文体复调与存在变奏  

Stylistic Polyphony and Existential Variations in Milan Kundera’s Slowness

作　　者：李莹倩 LI Ying-qian(School of Foreign Languages,Sichuan Normal University,Chengdu,Sichuan 610066)

机构地区：[1]四川师范大学外国语学院法语系,四川成都610066

出　　处：《牡丹江大学学报》2021年第2期47-54,共8页Journal of Mudanjiang University

摘　　要：《慢》是米兰·昆德拉的遗忘三部曲之一,作为昆德拉的第一部法语创作的小说,《慢》与作者“捷克周期”创作的作品一样,探讨了人类在世界中的存在。本文就试图借助昆德拉作品中促人深思的复调理论,从文体的复调、节奏的复调和时空的复调等三方面出发,揭示《慢》中的存在之思。Slowness is one of Milan Kundera’s Trilogy of Forgetting.As one of the first novels written in French by Milan Kundera,Slowness discusses the existence of human beings in the world in the same way as the works written by the author during the“Czech Period”.By analyzing the three aspects of stylistic polyphony,rhythmic polyphony,and spatial polyphony,the paper discloses Milan Kundera’s concern for human beings in the form of novels forged by the thinking of being.

关 键 词：慢 复调 存在 

分 类 号：I106[文学—世界文学]