新兴媒体著作权法律义务的体系构建  被引量:10

The System Construction of Legal Obligations of New Media Copyright

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作  者:梅术文[1] 李涛 Mei Shu-wen;Li Tao(不详)

机构地区:[1]南京理工大学知识产权学院

出  处:《苏州大学学报(法学版)》2021年第1期80-91,共12页Journal of Soochow University:Law Edition

基  金:国家社会科学基金项目“新兴媒体融合发展中的制度挑战与回应”(项目编号:15BFX144)的阶段性成果。

摘  要:新兴媒体的出现和迅猛扩张,不仅是对传统媒介生态的革命,也给著作权带来新的挑战。代表性国家通过立法的形式调整新兴媒体的著作权义务,逐步形成多种义务共存的格局。我国司法实践也针对不同类型的新兴媒体,提出了新的著作权法律义务要求。构建完整的著作权法律义务体系,可以为新兴媒体划定行为边界,对其经营管理行为予以著作权法上的规制。在遵循“共同而有差别”原则的基础上,赋予新兴媒体事前管理义务、事中配合义务及事后制止义务,既保障著作权人权益,又促进新兴媒体产业发展,推动互联网版权生态治理。The emergence and rapid expansion of emerging media is not only a revolution in the traditional media ecology,but also a challenge to the practice of copyright protection.The judicial practice has imposed new copyright legal obligations on new media such as news aggregation media,social media,new audio-visual media,and included the APP application stores in.The establishment of a complete copyright legal obligation system can delimit behavioral boundaries for emerging media,and regulate their operation and management behavior under copyright law.On the basis of the‘common but different’principle,the emerging media are given the obligation of pre-management,cooperation during the event,and obligation to stop after the event.While meeting the deep protection needs of copyright owners,it also promotes the industrial development and promotion of emerging media,and contribute to the ecological governance of internet copyright.

关 键 词:新兴媒体 社交媒体 版权义务 注意义务 审查义务 

分 类 号:D923.4[政治法律—民商法学]

 

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