论动画电影中角色心理的视觉语言表达——以《哪吒·魔童降世》为例  

On the Visual Language Expression of Characters’ Psychology in Animation Movies——Taking "Nezha·Magic Boy Comes into the World" as an Example

作　　者：冯添时 李江[1] FENG TIANshi;LI JIANG

机构地区：[1]北京师范大学

出　　处：《创意设计源》2020年第6期31-36,共6页Idea & Design

摘　　要：影像作为目前最典型的艺术表现形式之一,其中视觉语言是最为重要的元素,通过视觉语言的灵活运用能有效地将文字视觉化展现给观众,将人物的内心情感外化并传递给观众。通过以2019年最重要的国产动画电影《哪吒·魔童降世》为例(以下简称《哪吒》)剖析电影中如何运用视觉语言表达人物的内心世界,以哪吒的心理变化为线索分析其生动的情感表达和传递方式,并分析总结其视觉语言运用的创新性与传统性。As one of the most typical forms of artistic expression at present, video is the most important element in which visual language is the most important element. Through the flexible use of visual language, the text can be effectively displayed to the audience, and the inner emotions of the characters can be externalized and transmitted to the audience. This article uses the most important domestic animated film "Nezha: The Demon Boy" in 2019 as an example(hereinafter referred to as "Nezha") to analyze how to use visual language to express the inner world of the characters in the movie, and use Nezha’s psychological changes as a clue Analyze its vivid emotional expression and transmission methods, and analyze and summarize the innovative and traditional use of visual language.

关 键 词：动画电影 视觉语言 角色心理 《哪吒·魔童降世》 

分 类 号：J954[艺术—电影电视艺术]