一次对于乡村建设的再投入与再思考——板万村布依戏台搭建记录  

Rethinking and Reengagement on Rural Renewal:Building Process Documentation of Buyi Drama Stage in Banwan Village,Guizhou

作　　者：吕品晶[1] 雷大海 LV Pinjing;LEI Dahai

机构地区：[1]中央美术学院

出　　处：《建筑技艺》2020年第12期31-37,共7页Architecture Technique

基　　金：板万村布依戏台搭建活动获得了国家艺术基金2019“中国乡村建设研究人才培养”项目(2019-A-04-(094)-0636)的支持;2019“见人见物见生活——黔西南非遗扶贫与乡村振兴研讨交流会”得到了中央美术学院自主科研项目(19KYZD007)的支持。

摘　　要：在经历了早期大规模乡村建设后,板万村的乡村社会正处于与现代经济体系融合的过程中。我们注意到,在贵州大发展的态势下,板万村的对外依赖程度仍然很高,此过程中乡民不免会对外界产生怀疑或依赖的心态。作为板万村的乡村建设者,中央美术学院团队不断关注它的发展,并为之持续引入外来资源进行帮扶。在2019年,团队又利用国家艺术基金培训的机会,为板万村传统布依戏搭建了一座新的戏台,可以看成是一次乡村建设的"再投入"。希望借此能够加强乡村社会的凝聚力,激发一系列维系乡村社会良性发展的事件,这或许对于乡村社会发展具有更为深远的价值。With previous large-scale construction,Banwan,the Buyi ethnic village,has experienced accelerated integration into current economic system.On the other hand,given the great upward momentum in Guizhou privince,Banwan is still highly dependant on the outside society while sense of doubt and dependancy can be observed from local villagers at the same time.As a major participant in Banwan’s transformation,the CAFA(Central Academy of Fine Arts)team has been following up the ongoing developing process inside the village and has kept on introducing external resources to it.In 2019,with a training program initiated by National Arts Fund,the CAFA team has managed to build up a new satge for the traditional Buyi Drama in Banwan,which can be named as reengagement,is expected to actually enhance the cohesiveness in Banwan’s domestic society and to motivate series of new events to sustain a proper evolving progress in Banwan.

关 键 词：乡村建设 帮扶 传统戏剧 传统布依戏 传统文化核心价值 基于传统价值的事件 

分 类 号：TU982.29[建筑科学—城市规划与设计]