汪森诗学思想与创作实践的有机统一  

Integration of Wang Sen’s Poetic Theory and Creative Practice

作　　者：丁俊丽 杨梓艺 DING Junli;YANG Ziyi(School of Liberal Arts,Shannxi University of Technology,Hanzhong,Shanxi 723001)

机构地区：[1]陕西理工大学文学院,陕西汉中723001

出　　处：《绍兴文理学院学报》2021年第1期59-66,共8页Journal of Shaoxing University

基　　金：国家社科基金项目“宋刊《详注昌黎先生文》整理与研究”(19CZW021);陕西理工大学2020年校级研究生创新基金项目“孙琮《山晓阁评点柳柳州全集》研究”(SLGYCX2001)。

摘　　要：清初经世之学复兴,诗坛重振儒家诗教,扩充师法对象,倡导“真诗”。在此诗学背景下,汪森亦明确提出自己的诗学观,强调诗歌的现实功用;作诗论诗无门户之见,贵在诗之性情;倡导创作能自树立,去雕琢,追求自然淡雅之风。在创作实践与诗歌评论中,汪森始终贯穿自己的诗学思想,实现诗学理论与创作实践的有机统一。The Humanistic Pragmatism Renaissance in the early Qing dynasty gave rise to the revival of Confucian poetic schools,the expansion of mastersto be imitated in the poetic circle,and the advocation of“Genuine Poetry”.Wang Senproposes his own poetic theory which emphasizes the humanistic pragmatism in poems.He maintains that the poetry writing and relative discussions should be based on the temperaments of poets,regardless of the poetic schools;he advocates that the creation should be spontaneous and unpolishedwith a view to followinga natural and elegant style.Wang Senis given to the consistency with his own poetic thought in his writing practice and poetry criticism.

关 键 词：汪森 现实功用 性情 能自树立 清初诗学 

分 类 号：I222.7[文学—中国文学]