美声唱法与中国民族唱法异同分析及融合路径  

An Analysis of the Similarities and Differences between Bel Canto and Chinese National Singing

作　　者：陆伟 苏丽丽 Lu Wei;Su Lili(School of Music,Hefei Normal University,hefei Anhui 230001)

机构地区：[1]合肥师范学院音乐学院,安徽合肥230001

出　　处：《保山学院学报》2020年第6期93-96,共4页JOURNAL OF BAOSHAN UNIVERSITY

基　　金：2019年安徽省哲学社会科学规划一般项目“文化生态视野下的皖西民歌研究”阶段性成果(项目编号:AHS⁃KY2019D081)。

摘　　要：美声唱法与中国民族唱法是在不同文化历史下产生的不同声乐演唱方法,两者具有声乐演唱的普遍性和因地域文化不同而衍生的差异性;通过探析美声唱法与民族唱法在语言和咬字、呼吸和共鸣以及表演形式上的异同点,相应提出基于润腔喷口融合唱腔、利用混声唱法贯通声区、以声带情结合声情并茂等融合路径,探讨美声唱法与民族唱法,促进两者的融合发展。Bel canto singing and Chinese national singing are different vocal singing methods produced under different cultural history.They have the universality of vocal singing and the difference derived from different regional cultures.By analyzing the similarities and differences between the two methods in language and pronunciation,breath and resonance,and performance form,this paper puts forward the fusion path of the two methods based on the combination of moistening cavity,using the mixed singing method to connect the sound area,combining the sound with the emotion,and exploring the fusion development of the two methods.

关 键 词：美声唱法 民族唱法 异同点 融合路径 

分 类 号：J616.2[艺术—音乐]