梅鼎祚《玉合记》的接受与批评  

Acceptance and Criticism of Mei Dingzuo’s Yu He Ji

作　　者：方盛汉 贺佳欢 FANG Shenghan;HE Jiahuan(School of Humanities,Anqing Normal university;School of Marxism,Anqing Normal university,Anqing,Anhui 246133)

机构地区：[1]安庆师范大学人文学院 [2]安庆师范大学马克思主义学院,安徽安庆246011

出　　处：《安庆师范大学学报（社会科学版）》2021年第1期24-28,共5页Journal of Anqing Normal University：Social Science Edition

基　　金：安徽省哲学社会科学规划项目“明清戏曲批评中的皖籍曲家研究”(AHSKQ2018D112)。

摘　　要：皖人梅鼎祚早期作品《玉合记》受到汤显祖《紫箫记》和李贽思想影响;明清曲学批评家多从情侠并重、以词为曲、戏曲关目等角度,论述《玉合记》整体内容及艺术风貌;《玉合记》在明清戏曲史上的接受状况,亦可窥见以梅鼎祚为代表的皖籍曲家在当时曲坛的地位和影响力。Mei Dingzuo’s early work Yu He Ji was influenced by Tang Xianzu’s Zi Xiao Ji and Li Zhi’s thoughts.In Ming and Qing Dynasties,the critics of opera theorist mainly discussed the whole content and artistic style of Yu Heji from the perspectives of attaching equal importance to both love and heroism,taking lyrics as the key part of opera and the plot of the opera.The acceptance of Yu Heji in the history of Ming and Qing opera can also reveal the status and influence of the Anhui composers represented by Mei Dingzuo.

关 键 词：梅鼎祚 《玉合记》 情侠并重 以词为曲 关目情节 

分 类 号：I206.2[文学—中国文学]