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作 者:罗茜[1] 余鲁[1] LUO Xi;YU Lu(Chongqing Three Gorges University,Chongqing 404000,China)
机构地区:[1]重庆三峡学院,重庆404000
出 处:《包装工程》2021年第4期292-298,共7页Packaging Engineering
基 金:重庆市高等教育教学改革研究项目(203449)。
摘 要:目的挖掘、整理、提炼和传承民族传统文化,丰富以传统文化元素为主题的文创产品的种类与形式,满足消费者对传统文化主题文创产品的需求。方法采用文献资料法、D F A分析法、计算机辅助设计等方法,对汉代漆器云纹纹饰进行研究。运用形状文法提取其中的基本形态元素,对其进行形态推演(生成性推演和衍生性推演),形成新的纹样图形,经过细化,将其应用到合适的文创产品载体上。结论汉代漆器是我国古代最具代表性的工艺美术形式,蕴含着丰富的传统文化内涵。云纹纹饰作为汉代漆器中的重要文化元素具有很高的艺术价值和研究价值。在现代文创产品设计中,引入汉代漆器云纹纹饰,并运用形状文法对提取的初始纹样进行推演设计,可以较好地将传统文化元素与现代文创产品设计相结合,并创造出极具民族特色、符合中国人文化心理需求的文创产品。The work aims to sort out, extract and purify, and inherit the traditional national cultural, and enrich the varieties and styles of cultural and creative products with traditional culture elements as main themes, so as to satisfy consumers’ demand for cultural and creative products with traditional cultural themes. Methods such as literature, DFA analysis, computer-assist design were adopted to study the moiré patterns of lacquerware in Han Dynasty. The shape grammar was applied to extract the basic morphological elements and conduct morphological deductions(generativity deductions and derivative deductions), form new shape of patterns, refine them and use them to suitable carriers of cultural and creative products. Lacquerware in the Han Dynasty is the most representativeness modality of arts and crafts in ancient China, and contains plentiful traditional cultural connotations. As an important cultural element of lacquerware of the Han Dynasty, moiré pattern has high values in art and study. In the design of modern cultural and creative products, taking lacquerware moiré pattern of the Han Dynasty as reference and using shape grammar to extract the initial patterns for design deduction can properly combine traditional culture elements with design of modern creative culture products, and create cultural and creative product containing great national feature and meeting the Chinese cultural and psychological demands.
分 类 号:TB472[一般工业技术—工业设计]
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