“写”与“意”在中国写意油画创作中的内在精神品格表达  

Exploring the Expression of Inner Spirit and Character of“Writing”and“Meaning”in the Creation of Chinese Freehand Oil Painting

作　　者：李燕梅[1] Li Yanmei(Fuzhou College of Foreign Studies and Trade,Fuzhou 350202,China)

机构地区：[1]福州外语外贸学院,福建福州350202

出　　处：《黑河学院学报》2021年第1期155-157,共3页Journal of Heihe University

基　　金：福建省教育厅中青年教师教育科研项目社科一般项目“关于高校美术外出写生课程改革与实践的探讨”(JAS150705)。

摘　　要：“超然物外”和“寄情于物”的写意精神是我国传统文化在艺术审美方面的独特追求。写意油画以其兼具西方油画本身色彩和独特中华文化审美的烙印,成为当代中国油画的主流和未来最为重要的发展方向。西方油画在中国生根发芽开始,就受到中国传统文化的影响,不断融合我国传统文化,绘画作品中也融入了独具中华民族特色的以写意为核心的文人情怀。The spirit of freehand brushwork,which stresses“detached object”and“expressing emotion in object”,is the unique pursuit of Chinese traditional culture in the aspect of artistic aesthetics.Freehand oil painting,with the characteristics of Western oil painting’s own color and Chinese culture’s unique aesthetic brand,is becoming the mainstream of contemporary Chinese oil painting and the most important direction of future development.It can be said that from the moment Western oil painting takes root and germinates in the fertile soil of China,it gets inevitably influenced by Chinese traditional culture.In the course of its development,it is constantly integrated into our traditional culture.Oil painting works express the literati feelings with unique Chinese national characteristics and with freehand brushwork as the core in the traditional culture.

关 键 词：写意油画 精神品格 写意精神 

分 类 号：J223[艺术—美术]