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作 者:蒲亨建[1] Pu Hengjian(不详)
出 处:《星海音乐学院学报》2021年第1期5-17,共13页Journal of Xinghai Conservatory of Music
摘 要:每个调式音级都具有其各自的功能与色彩特征。这种特征,与各个调式音级潜在的“隐形结构”相关。这种调式音级的“隐形结构”隐而未现,却是支撑每个音级之特性的内在逻辑结构。从调式音级“隐形结构”的静态—动态特征及其“三度叠置”外显形式的新的观察角度着眼,可以揭示诸调式音级之各自特征的内在成因。调式音级“隐形结构”观,不仅具有重要的理论价值,也具有与音乐欣赏、音乐理解密切相关的重要应用价值。Each modal scale-degree has its own functional and color features that are related to its potential“invisible structure”.Through not being seen,the“invisible structure”of modal scale-degrees is an internal logic structure that supports the features of each scale-degree.From the new perspectives of the static-dynamic features of“invisible structure”and apparent“tertian superposition”form of modal scale-degree,we can reveal what internal factors result in the features of each modal scale-degree.The concept of“invisible structure”of modal scale-degree is not only of great theoretical value,but also of great applied value closely related to music appreciation and comprehension.
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