壮族古文字图形符号之美学探微——以中国富宁壮族坡芽歌书为例  

Aesthetics of Ancient Pictographic Symbols of Zhuang People:Case study on Funing Zhuang People’s Poya Song Book of China

作　　者：门超[1,2] 王敦[3] Men Chao;Wang Dun(Nanning College for Vocational Technology,Nanning,Guangxi 530008,China)

机构地区：[1]南宁职业技术学院艺术工程学院,广西南宁530008 [2]南宁职业技术学院教育政策与法规研究所,广西南宁530008 [3]南宁职业技术学院,广西南宁530008

出　　处：《南宁职业技术学院学报》2020年第5期97-100,共4页Journal of Nanning College for Vocational Technology

基　　金：2018年南宁职业技术学院正高职称专项资助科技项目“壮民族文化的审美人类学探究”(2017ZX08);2017年度广西高校中青年教师基础能力提升项目“‘一带一路’战略下广西优质民族文化资源输出研究”(2017KY0989)。

摘　　要：中国富宁壮族坡芽歌书是用原始的图画文字将壮族民歌记录在土布上的民歌集,形象地反映了我国壮族群众的爱情故事、民风习俗、饮食文化、服饰文化等,具有较高的文字学、美学、风俗学以及壮文化学等价值。以坡芽歌书的发掘源头为出发点,阐述坡芽歌书的文字学价值、民俗学价值、传播学价值等多向度价值,并且从"形"的稚拙美、"势"的动态美以及"意"的内涵美提出壮族图形文字的美学意蕴。Funing Zhuang People’s Poya Song Book of China is a collection of folk songs of the Zhuang people recorded on homespun in primitive pictographic writing. It vividly reflects love stories, folk customs, food culture, dress culture, etc. of the Zhuang ethnic group, so its value is high in philology, aesthetics, folklore and Zhuang cultural studies. Starting from discovering the source of Poya Song Book, this article elaborated its value in terms of philology, folklore, communication, etc. and proposed aesthetic implication of the Zhuang people’s pictographic writing, that is, natural beauty in appearance, dynamic beauty in composition and internal beauty in meaning.

关 键 词：中国富宁壮族坡芽歌书 壮族 古文字符号 美学 

分 类 号：K890[历史地理—民俗学]