野性的呼唤——上海时期鲁迅对动物电影的社会学思考  

The Call of the Wild——Lu Xun’s Sociological Thinking on Animal Films in Shanghai

作　　者：禹权恒 YU Quanheng(Shool of Literature,Renmin University of China,Beijing 100872;School of Literature,Xinyang Normal University,Xinyang,Henan 464000)

机构地区：[1]中国人民大学文学院,北京100872 [2]信阳师范学院文学院,河南信阳464000

出　　处：《中国文学研究》2021年第1期138-144,共7页Research of Chinese Literature

基　　金：河南省高校青年骨干教师培养计划项目(2019GGJS156);河南省高校科技创新人才支持计划(人文社科类)项目资助(2021-CX-012)。

摘　　要：观看动物电影是上海时期鲁迅的重要娱乐方式。鲁迅借此不仅能够缓解精神压力,开阔视野,弥补生活经验不足,也可以深度思考人性和兽性的复杂纠葛:一方面,鲁迅早期相信达尔文的进化论思想,但十分警惕"文明战胜野蛮"的简单口号;另一方面,鲁迅又提倡动物性,鼓励国民冲破封建思想牢笼,呼唤"精神界之战士",这是鲁迅思想丰富性和矛盾性的外在表征。Watching animal movies was an important form of entertainment for Lu Xun in Shanghai.Lu Xun could not only ease spiritual pressure,broaden cultural horizons,make up for the lack of experience in life,but also thought deeply about the complex interplay between human nature and animal nature:on the one hand,Lu Xun believed in Darwin’s theory of evolution in his early years,but he was wary of the simplistic slogan"civilization prevails over barbarism";on the other hand,Lu Xun also advocated animality and encouraged people to break out of the cage of feudalism,appealing for"the warrior of the spirit world".That was the external representation of the richness and contradiction of Lu Xun’s thought.

关 键 词：上海时期 鲁迅 动物电影 人性 兽性 

分 类 号：I206.6[文学—中国文学]