“文艺学批评”视域下的《带灯》批评——对《当代作家评论》一组文章的学术批评  

Criticism of Dai Deng from the Perspective of Literary Criticism--Academic Criticism of a Group of Articles in Contemporary Writers’Review

作　　者：崔德香[1] CUI De-xiang(Shantou Polytechnic,Shantou,Guangdong 515071)

机构地区：[1]汕头职业技术学院人文社科系,广东汕头515041

出　　处：《汕头大学学报（人文社会科学版）》2020年第9期35-40,94,95,共8页Journal of Shantou University(Humanities and Social Sciences Edition)

基　　金：2018年国家社科基金重点项目“百年中国文学传播史的书写问题研究”(18AZD032)。

摘　　要：以"文艺学批评"的视角来审理《当代作家评论》2013年第3期上发表的一组关于贾平凹小说《带灯》的批评文章。这组批评文章总体上"缺乏创见",在对《带灯》"新"事"新"人的认识上流于表面,偏于"事实重述";在对《带灯》"新"技法的认识上未能深入,"细化研究"不足。就其"真实性和可靠性"而言,这组批评文章对《带灯》的阐释表现出诸多"背离事实与逻辑"的地方。From the perspective of“literary criticism”,this paper tries to hear a group of critical articles about Jia Pingwa’s novel Dai Deng published in the third issue of contemporary writers review in 2013.This group of critical articles are generally“lack of originality”,superficial in understanding the“new”things and“new”people in Dai Deng,and partial to“fact restatement”;they are not deep in understanding the“new”techniques in Dai Deng,and lack of“detailed research”.As far as its“authenticity and reliability”is concerned,there are many“departures from facts and logic”in the interpretation of Dai Deng.

关 键 词：文艺学批评 学术批评 《带灯》 《当代作家评论》 局限性 

分 类 号：I201.6[文学—中国文学]