走私叙事中伪满洲国朝鲜系作家的现实认识——以安寿吉、玄卿骏及姜敬爱部分作品为中心  

Realistic Understanding of the Puppet Manchuria Korean Authors From the Perspective of Smuggling Description:Focusing on the Works by Ahn Soo-gil,Hyun Kyung-joon and Kang Kyung-ae

作　　者：梁佳丰 LIANG Jia-feng(College of Foreign Languages,Ocean University of China,Qingdao Shandong 266100,China)

机构地区：[1]中国海洋大学外国语学院,山东青岛266100

出　　处：《兰州工业学院学报》2021年第1期130-133,共4页Journal of Lanzhou Institute of Technology

摘　　要：作家安寿吉、玄卿骏以及姜敬爱作为伪满洲国朝鲜系作家,其作品中出现的走私叙事很大程度还原了在满朝鲜人的生活。从走私的性质以及作家理念成长方面对安寿吉的《破晓》《土城》、玄卿骏的《流氓》以及姜敬爱的《盐》进行分析,发掘深层作家对伪满洲国理念的认识。The Korean authors living in Manchu,represented by Ahn Soo-gil,Hyun Kyung-joon and Kang Kyung-ae,revivified the daily life of Korean people living in Manchu to a great extent by the description of smuggling in their works.By analyzing the works including Daybreak and Clay City by Ahn Soo-gil,Rogue by Hyun Kyung-joon,and Salt by Kang Kyung-ae from the aspects of the nature of smuggling and the development of author’s idea,and this thesis is going to explore the deep attitudes of those authors towards the ideas of Manchukuo.

关 键 词：走私叙事 伪满洲国朝鲜系作家 现实认识 

分 类 号：I206[文学—中国文学]