姚燮词风变化及其成因新探  

The Ci Style Change of Yao Xie and the Causes

作　　者：周璐 ZHOU Lu(School of Humanities,Zhengzhou University of Aeronautics,Zhengzhou 450015,China)

机构地区：[1]郑州航空工业管理学院人文社科学院,河南郑州450015

出　　处：《宁波大学学报（人文科学版）》2021年第2期64-71,共8页Journal of Ningbo University：Liberal Arts Edition

基　　金：河南省教育厅人文社会科学研究一般项目“寒士文化视野下姚燮诗歌研究”(2020-ZZJH-486)。

摘　　要：姚燮词在继承、发扬郭麐词论的基础上,畅写思婉而情真的个人心曲。以道光十三年(1833)为界,姚燮词风呈现出不同的面貌:情感基调由先前的闲愁渐趋悲苦,表现技法由纡回往复到直抒胸臆的转变,其后期词不再如前期词那般思致细密、语言精工。之所以有这些差异,是由于姚燮生活磨难的加深、人生阅历的丰富,以及由此造成的填词态度的变化:二十余岁费心经营,三十岁后则不愿在营造幽微词境和酝酿悲苦情绪的过程中摧心不已,而这都与一介寒士的复杂心态有着密切的关系。Based on inheriting and carrying forward Guo Lin’s Ci,Yao Xie always writes his own personal feelings with tenderness and sincerity.But the style of his Ci has a different look bounded by the 1833.Its emotional tone has gradually become more miserable from the previous sorrow,and there has also been a change from indirect to direct in the expression,so that the later poems were no longer as thoughtful and exquisite as the previous poems.The reason for these changes is the numerous obstacles in his life and the enrichment of his life experience,and the resulting change in his attitude to writing poems:in his 20s he was more diligent.But after 30,he was unwilling to create the profound artistic conception and bother himself in such process of contemplating sadness.This situation is closely connected with his complex mentality.

关 键 词：姚燮 词风 寒士 

分 类 号：I206.2[文学—中国文学]